21.  By looking at local conditions and environments; even when architecture styles are copied, a more individual design can be created. (Ritchie House, 26 Heriot Row, Dunedin, 1914)


 22.  Where there is a uniqueness of life or environment, a unique style can be created.





23.  White windows are from the late eighteenth century. (Standen, East Grinstead, Sussex, 1892-4)









24.  A simple and unaffected design comes from looking at everyday life. (Sign of the Packhorse, Kaituna Saddle, 1916-17)









25.  Patterns of indigenous people are used without the meaning behind the patterns. Design must consider the meanings. (Rehutai, Menzies Bay, Banks Peninsula, 1894)









26.  The creation of a building style that can be built anywhere with the same materials and details included plaster walls and simple details. (Studio House, West Kensington, London, 1891)



27.  Beauty is a by part that comes when our values are right. (Plas Mawr, New Plymouth, 1913)









28.  An architect needs to consider that only part the design may be built and how the character and meaning of the building be retained. (Parliament Buildings, Wellington, 1911-18)








29.  Imperial Baroque: Scroll pediments, rusticated columns, triangular pediments, rusticated base, paired columns. (Royal Naval College, Greenwich, begun 1696)









30.  Virtual mirror images of buildings link the function and owner of the building with an imperial connection. (Magistrates’ Court, Wellington, 1901-3)









31.  Arrangement of motifs creates a style (Central Criminal Court, London (‘old Bailey’), 1901-7) (St. Paul’s Cathedral, London)


















32.  A single style is used so that people see the connectedness of the country and Empire. (Post Office, Greymouth, 1904-8)








33.  The expenditure on a building shows the governments feeling on importance placed on the activities within the building. (Public Trust Office, Wellington, 1909)